Koba De Meutter ‘So That Afternoon We Both Made an Empty Circle’ object but can also broaden his

but can also broaden his or her horizons and form the basis for future collaborations

‘Inspired by painting

Upon entering the room

The spatial installations (2008-12) almost all consisted of large wall or floor drawings

Koba De Meutter ‘So That Afternoon We Both Made an Empty Circle’ object but can also broaden hisKoba De Meutter (b. 1992) So That Afternoon We Both Made an Empty Circle, a book with visual work that was the result of two recent artists residences in Mexico. De Meutter combines sculpturally adaptable modules with found material in deliberate actions or chance events, often in public spaces. In the book, photographs of her interventions in Mexico City are combined with a series of drawings she made during her second residence in art centre Casa