Reisebericht Triptychon eines Mönchs 旅の報告 | Tamada玉駄 (unbekannt) | 1767- ? (dat. 1831) material:Paper Ein feiner Ast in der

Ein feiner Ast in der Mitte bündelt dieses energetische Versteckspiel mit dem Format und gibt dem Bild die nötige Ruhe und innere Sammlung

For the history of kemari in Japan

in Tokyo as a painter and teacher

Hotei ist einer der Sieben Glücksgötter

Reisebericht Triptychon eines Mönchs 旅の報告 | Tamada玉駄 (unbekannt) | 1767- ? (dat. 1831) material:Paper Ein feiner Ast in derThis is probably the most idiosyncratic calligraphy in the Guignard Kyoto Collection. It is a travel or pilgrimage account by a monk who wanted to capture all the rich impressions of the places he visited. He even painted a portrait of himself, revealing his wit with a barely perceptible twinkle in his eyes. His priestly name is Tamada. The first character, tama, means "jewel," while the second is best known in the combination dame, "bad." But almost