Vögel im Winter mit Kamelien | Kanō Sanraku (attr.) 狩野山楽（伝）| 1559-1635 Tieger who—as the period's name suggests—residered

who—as the period's name suggests—residered in the Muromachi district of Kyoto

In the Edo period (1603-1867)

has focused on creating a new

is often portrayed as a laughing country boy

Vögel im Winter mit Kamelien | Kanō Sanraku (attr.) 狩野山楽（伝）| 1559-1635 Tieger who—as the period's name suggests—resideredKan Sanraku's mindset remained firmly rooted in the 16th century, although the second half of his life extended into the 17th century. He was a student of Kan Eitoku, who served the shoguns Oda Nobunaga and Hideyoshi with art in the 16th century, and remained true to Eitoku's painting tradition. In this winter scene, Sanraku chose two birds that are particularly common in the art of the Muromachi period (1336 1573). It is (presumably) the long tailed